簡介： 在新生代Power Metal團(tuán)中包括Edguy，誰都不會否認(rèn)Helloween〝七把鑰匙〞的強(qiáng)大影響力，在成軍初期Edguy有如得到Helloween真?zhèn)鞯谋憩F(xiàn)的確令人驚艷，如今Edguy已逐漸將各Metal大佬的精華融為自己的風(fēng)格，在發(fā)行了三張極為成功的專輯之后，尤其是第三作 更多>
在新生代Power Metal團(tuán)中包括Edguy，誰都不會否認(rèn)Helloween〝七把鑰匙〞的強(qiáng)大影響力，在成軍初期Edguy有如得到Helloween真?zhèn)鞯谋憩F(xiàn)的確令人驚艷，如今Edguy已逐漸將各Metal大佬的精華融為自己的風(fēng)格，在發(fā)行了三張極為成功的專輯之后，尤其是第三作〝Theater Of Salvation〞里包辦大部分詞曲創(chuàng)作的主唱Tobias Sammet，在卸下Bass演奏工作之后開始專任主唱一職，使樂團(tuán)整體感提升，在獲得耀眼亮麗的成績之后，使得Edguy逐漸登上金屬舞臺的最高峰。
代表德國Power Melodic/Speed Metal新希望的樂團(tuán)Edguy，承襲了Helloween、Heaven Gate及Blind Guardian等德國speed metal大團(tuán)的優(yōu)良血統(tǒng)，并徹底將德意志式的優(yōu)美旋律發(fā)揮到極致，而令人難以置信的是，此樂團(tuán)竟是由一群平均年齡還不到十九歲的年輕小伙子所組成的 (97年)，實(shí)在嚇人，看來speed的勢力又將再度肆虐！
Edguy is a neo-classical metal band from Germany. Featuring Tobias Sammet on vocals and bass, Jens Ludwig and Dirk Sauer on guitar, and Felix Bohnke, they released their first album, Kingdom of Madness, in 1997 when all members were still in their teens. This album is good, but inconsistent. In 1998, their second album, Vain Glory Opera, took a big step forward, featuring much better and more consistent songwriting. 1999's Theater of Salvation is the band's first great album. It has consistently great songs, better vocals, and lusher production. Tobias Exxel was added on bass for the Theater of Salvation album.
