Molly Bee

簡介: by Stephen Thomas ErlewineMolly Bee had several hits in the early 60s, crafting a showy stage persona, ideal for clubs. Raised in Beltbuckl 更多>

by Stephen Thomas ErlewineMolly Bee had several hits in the early 60s, crafting a showy stage persona, ideal for clubs. Raised in Beltbuckle, TN, Bee didnt begin singing until her family moved to Tucson, AZ. Even then, she started her singing career much earlier than most — she was ten years old when she gained the attention of Rex Allen, the singing cowboy. Bees mother took her to see the singer at a local concert, where she had her daughter sing for him. Impressed with her performance of Lovesick Blues, Allen had the child sing on his radio show shortly afterward. A year later, her family moved to Hollywood, where she became a regular on Hometown Jamboree, a Los Angeles-based television show run by Cliffie Stone. Bee sang on the Jamboree throughout her teens, gaining a large following of fans; she was so popular, the program was occasionally called the Molly Bee Show. During this time, she was also a regular on The Pinky Lee Show, appearing on the television program for three years.When she was 13, Bee signed with Capitol Records, releasing her first single, Tennessee Tango. However, it was I Saw Mommy Kissing Santa Claus, released late in 1952, that was her first major success. In 1953, she recorded Dont Start Courtin in a Hot Rod Ford, a duet with Tennessee Ernie Ford. The following year, she left Pinky Lees show for Fords daytime television show. Bees career continued to grow, as she had more hit singles — including Young Romance, Dont Look Back, and 5 Points of a Star — and appeared on a variety of television shows. By the late 50s, her live shows were drawing large, record-breaking crowds. In the early 60s, Bee began to move her talents to other areas, acting in several musical plays (The Boy Friend, Finians Rainbow, Paint Your Wagon) and movies (Chartreuse Caboose, The Young Swingers), as well as becoming a fixture in Las Vegas. However, her recording career began to decline after she signed to Liberty Records in 1962. After two unsuccessful years there, she moved to MGM in 1965, releasing the Its Great...Its Molly Bee album. Bee found her greatest success at MGM the following year with Losing You/Miserable Me. By the late 60s, Bee had fallen prey to drug addiction and had to take several years off the road as she rebuilt her life. She re-emerged in 1975 with Good Golly Ms. Molly, this time on Cliffie Stones Granite record label. Her comeback was successful, producing two charting singles: She Kept on Talking and Right or Left at Oak Street. In 1982, she released her final album, Sounds Fine to Me, which failed to match the performance of Good Golly, although she remained a popular concert draw.

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