Hannah’s debut record, “Child Bride”, was produced by Thomas Bartlett, aka Doveman, known for his keyboard work with artists like The National and Antony and the Johnsons, and also producer of upcoming records by Glen Hansard and Julia Stone. Drawn from Hannah and Thomas’s mutual friends, the core band is a small but potent group of some of New York’s finest musicians, including Sam Amidon, Rob Moose (Bon Iver, Antony and the Johnsons), Brad Albetta (producer for Martha Wainwright and Teddy Thompson), Doug Wieselman (Laurie Anderson, the Lounge Lizards), and Kenny Wollesen (John Zorn, Bill Frisell). Together they have created an expansive, haunted album, lush and welcoming, but also at times almost painfully intimate.
Hannah’s strikingly distinctive voice and casually assured phrasing are at the centre of it all, from the heartbroken outpouring of “The Crying Game” to “California”, an irresistibly catchy love letter to Hannah’s home state, with a sunny disposition that can’t quite hide the undercurrent of melancholy and homesickness.
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Hannah’s debut record, “Child Bride”, was produced by Thomas Bartlett, aka Doveman, known for hi更多>
Hannah’s debut record, “Child Bride”, was produced by Thomas Bartlett, aka Doveman, known for his keyboard work with artists like The National and Antony and the Johnsons, and also producer of upcoming records by Glen Hansard and Julia Stone. Drawn from Hannah and Thomas’s mutual friends, the core band is a small but potent group of some of New York’s finest musicians, including Sam Amidon, Rob Moose (Bon Iver, Antony and the Johnsons), Brad Albetta (producer for Martha Wainwright and Teddy Thompson), Doug Wieselman (Laurie Anderson, the Lounge Lizards), and Kenny Wollesen (John Zorn, Bill Frisell). Together they have created an expansive, haunted album, lush and welcoming, but also at times almost painfully intimate.
Hannah’s strikingly distinctive voice and casually assured phrasing are at the centre of it all, from the heartbroken outpouring of “The Crying Game” to “California”, an irresistibly catchy love letter to Hannah’s home state, with a sunny disposition that can’t quite hide the undercurrent of melancholy and homesickness.