Coming off four Top Ten hits in three years for their group?Chic, producers?Bernard Edwards?and?Nile Rodgers?were?the?hot R&B/disco team of the day when they wrote and produced Diana Ross' second album named simply?diana. (The first was her 1971 TV soundtrack,?Diana!.) The result was Ross' best-selling album ever, paced by her biggest singles hit yet, "Upside Down," and its Top Ten follow-up, "I'm Coming Out." For the most part, disco productions tended to emphasize the beat over the voice, and it might be argued, but for the billing, Ross had been reduced to guest vocalist on her own album. But it was exactly her struggle to retain an identity beyond the groove that made this music more compelling than?Chic's records.?diana?marked an important comeback for Ross, who had struggled in the late '70s after the early successes of her solo career. She celebrated by leaving Motown for a six-year, five-album sojourn at RCA.
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Coming off four Top Ten hits in three years for their group?Chic, producers?Bernard Edwards?and?更多>
Coming off four Top Ten hits in three years for their group?Chic, producers?Bernard Edwards?and?Nile Rodgers?were?the?hot R&B/disco team of the day when they wrote and produced Diana Ross' second album named simply?diana. (The first was her 1971 TV soundtrack,?Diana!.) The result was Ross' best-selling album ever, paced by her biggest singles hit yet, "Upside Down," and its Top Ten follow-up, "I'm Coming Out." For the most part, disco productions tended to emphasize the beat over the voice, and it might be argued, but for the billing, Ross had been reduced to guest vocalist on her own album. But it was exactly her struggle to retain an identity beyond the groove that made this music more compelling than?Chic's records.?diana?marked an important comeback for Ross, who had struggled in the late '70s after the early successes of her solo career. She celebrated by leaving Motown for a six-year, five-album sojourn at RCA.