"El Dorado Hotel" hosts Lane's usual broad spectrum of musical styles and genres with a cohesiveness that fans of the artist will recognize instantly. The opener, "A Dream Full of Fire," is a new Lana Lane classic that blurs the line between prog metal and jazz stylings in a melange that only she can deliver. "Maybe We'll Meet Again" is a European-styled melodic AOR radio anthem blending classic rock with modern sensibilities. The song, "El Dorado," is a Lana Lane epic with a soaring chorus reminiscent of her classic, "Queen of Ocean." The robust "Darkness Falls" introduces an Irish folk style combined with a gothic metal element with its haunting choral vocals and arena-crafted chorus. Then "Hotels" is an acoustic track that evokes jazz standards like "Autumn Leaves." The tracks, "Believe," "Life of the Party,".?
"Gone Are The Days" and "Moon God" add further threads to the "El Dorado Hotel" tapestry. The album closes with the 11-1/2 minute opus, "In Exile" that producer Erik Norlander describes as a "vintage prog"/>
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El Dorado Hills, CA - After a four-year break since her last album, Lana Lane is back with her m更多>
El Dorado Hills, CA - After a four-year break since her last album, Lana Lane is back with her most powerful release to date, "El Dorado Hotel." The veteran symphonic rock diva delivers a 10-song tour-de-force of finely crafted original tracks in an audiophile production by husband/keyboardist, Erik Norlander. When asked about the long break between "El Dorado Hotel" and her previous release, "Red Planet Boulevard" (2007), Lane replies, "As an artist, you hope that you have something new to say with each record. This became harder and harder to do – especially when during some years, there were two or more new Lana Lane records released. I only want to release top-quality, sincerely crafted albums, and I certainly don’t want to release an album just to release 'something.' After nearly 15 years of working non-stop, it was time for a little sabbatical. I needed a break from the pressure and time to gather some perspective on my craft."?
"El Dorado Hotel" hosts Lane's usual broad spectrum of musical styles and genres with a cohesiveness that fans of the artist will recognize instantly. The opener, "A Dream Full of Fire," is a new Lana Lane classic that blurs the line between prog metal and jazz stylings in a melange that only she can deliver. "Maybe We'll Meet Again" is a European-styled melodic AOR radio anthem blending classic rock with modern sensibilities. The song, "El Dorado," is a Lana Lane epic with a soaring chorus reminiscent of her classic, "Queen of Ocean." The robust "Darkness Falls" introduces an Irish folk style combined with a gothic metal element with its haunting choral vocals and arena-crafted chorus. Then "Hotels" is an acoustic track that evokes jazz standards like "Autumn Leaves." The tracks, "Believe," "Life of the Party,".?
"Gone Are The Days" and "Moon God" add further threads to the "El Dorado Hotel" tapestry. The album closes with the 11-1/2 minute opus, "In Exile" that producer Erik Norlander describes as a "vintage prog
