Warning: file_put_contents(/www/wwwroot/m.ndqjthg.cn/9ku_www_new/moni/../cachejson/moni//a/c/ac8a2e09ea124062daeffd1daf5f4ad4): failed to open stream: No space left on device in /www/wwwroot/m.ndqjthg.cn/9ku_www_new/moni/inc/functions.inc.php on line 268

Warning: file_put_contents(/www/wwwroot/m.ndqjthg.cn/9ku_www_new/moni/../cachejson/moni//e/8/e8f00a9b1120692a858287125b2fafaf): failed to open stream: No space left on device in /www/wwwroot/m.ndqjthg.cn/9ku_www_new/moni/inc/functions.inc.php on line 268
夜夜摸夜夜操,欧美精品日韩一区二区三区 A decade ago, country acts who sounded more like arena rockers gained hegemony on a Music Row that scorned the success of the O Brother, Where Art Thou? soundtrack as a fluke. As in the past, many there couldn't see the forest for the trees. Both Bentley's own rootsy self-titled debut and Gretchen Wilson's Here for the Party prove quality modern traditionalism still sells. Bentley's sophomore album offers more straight-ahead amalgams of bluegrass, '60s Bakersfield, and raw barroom fare like the Waylonesque "Got a Lot of Leavin' Left to Do" and the beer-guzzling anthem "Domestic, Light, and Cold." He shows real depth on the sensual "Come a Little Closer." The moving, timeless "Gonna Get There Someday," a tale of a son at his mother's grave vowing to make something of himself, easily trumps the album's cliché-ridden title song, as does his fetching treatment of friend Del McCoury's "Good Man Like Me," recorded with McCoury's band. Bentley's lack of artifice proves his greatest strength. Again.

"/>

你所在的位置 > 九酷音樂網(wǎng) > Dierks Bentley歌曲 > Modern Day Drifter

Modern Day Drifter

歌手:Dierks Bentley歌曲

發(fā)行公司:Capitol Nashville

歌曲數(shù)量:0

發(fā)行時間:2005-01-01 00:00:00

Modern Day Drifter

專輯簡介:

A decade ago, country acts who sounded more like arena rockers gained hegemony on a Music Row th更多>

A decade ago, country acts who sounded more like arena rockers gained hegemony on a Music Row that scorned the success of the O Brother, Where Art Thou? soundtrack as a fluke. As in the past, many there couldn't see the forest for the trees. Both Bentley's own rootsy self-titled debut and Gretchen Wilson's Here for the Party prove quality modern traditionalism still sells. Bentley's sophomore album offers more straight-ahead amalgams of bluegrass, '60s Bakersfield, and raw barroom fare like the Waylonesque "Got a Lot of Leavin' Left to Do" and the beer-guzzling anthem "Domestic, Light, and Cold." He shows real depth on the sensual "Come a Little Closer." The moving, timeless "Gonna Get There Someday," a tale of a son at his mother's grave vowing to make something of himself, easily trumps the album's cliché-ridden title song, as does his fetching treatment of friend Del McCoury's "Good Man Like Me," recorded with McCoury's band. Bentley's lack of artifice proves his greatest strength. Again.