簡(jiǎn)介:
小簡(jiǎn)介
Tristeza的作品挑戰(zhàn)的是“后搖滾”這一奇怪風(fēng)格的邊界,如果他們被認(rèn)定為一支后搖滾樂(lè)隊(duì),那么大多數(shù)獨(dú)立流行樂(lè)隊(duì)只需要去掉人聲再增加循環(huán)段落即可進(jìn)入這一領(lǐng)域。事實(shí)上這支加州組合更多被描述為一支dream pop化的器樂(lè)組合。而我們之前的類比并沒(méi)有降低樂(lè)隊(duì)作品成 更多>
小簡(jiǎn)介
Tristeza的作品挑戰(zhàn)的是“后搖滾”這一奇怪風(fēng)格的邊界,如果他們被認(rèn)定為一支后搖滾樂(lè)隊(duì),那么大多數(shù)獨(dú)立流行樂(lè)隊(duì)只需要去掉人聲再增加循環(huán)段落即可進(jìn)入這一領(lǐng)域。事實(shí)上這支加州組合更多被描述為一支dream pop化的器樂(lè)組合。而我們之前的類比并沒(méi)有降低樂(lè)隊(duì)作品成色的用意,這一點(diǎn)不要誤會(huì)。能夠把簡(jiǎn)單心緒通過(guò)干凈的配器成功表現(xiàn)出來(lái)的器樂(lè)團(tuán)并不是太多?;蛘呖梢赃@樣說(shuō),Tristeza所做的只是恰好應(yīng)和了大多數(shù)人對(duì)美妙旋律的期待。沒(méi)錯(cuò),就是這樣,從這一點(diǎn)說(shuō),他們的成功也可謂之“后”了。不過(guò)我個(gè)人只愿意把該隊(duì)作品作為背景使用,你很難從一張專輯中發(fā)現(xiàn)某一首足以抓住你的所謂“金曲”也是Tristeza的硬傷,這證明了他們還沒(méi)有能力超越于一眾器樂(lè)“同僚”之上。
Known as much for their consistent touring as their prolific output, San Diego's instrumental rock quintet Tristeza formed in 1997. Guitarists Jimmy LaValle and Christopher Sprague, keyboardist Stephen Swesey, bassist Luis Hermosillo, and drummer Jimmy Lehner came together after playing in bands like the Locust, Crimson Curse, Swing Kids, and Gogogo Airheart, among others, and recorded their debut 7", Foreshadow/Smoke Through Glass, soon after. In promotion of the single, Tristeza toured three times, making the 7" a best-seller and proving that they could pull off their intricate, involved instrumental sound on-stage as well as in the studio.
Tristeza's first full-length, 1999's Spine and Sensory, added subtle jazz elements to their style; just before hitting the road again, they released their volume of the Insound Tour Support series, a series of CD EPs intended to help promote touring indie bands. Another tour and another single -- the Macrame 7" -- confirmed the band's swift musical development and electronic leanings. Tristeza stopped touring just long enough to record Dream Signals in Full Circles in Chicago with the Pulsars' Dave Trumfio; the album was released in the fall of 2000 by Tigerstyle Records.
The group returned in 2002 with Mixed Signals, a collection of Dream Signals remixes. But Swesey departed the same year, and LaValle the next, so Tristeza went on hiatus while they reassembled their lineup. By 2004 Sean Ogilve and Alison Ables had joined on keyboards and guitar, respectively, and Tristeza recorded a double album called A Colores that was issued in November 2005 on Better Looking Records.