簡介： DESTROYER 666并不是一個高產(chǎn)的樂隊，但是他們的作品素質(zhì)是有目共睹。他們憑借自己的實力贏得了歐美國家以及世界各地樂迷對于澳洲樂隊的尊敬。 提到澳洲的極端金屬音樂，每一個人都會很自然想到DESTROYER 666。樂隊風(fēng)格也一直有微小變化，本身經(jīng)歷了從Black Meta 更多>
DESTROYER 666并不是一個高產(chǎn)的樂隊，但是他們的作品素質(zhì)是有目共睹。他們憑借自己的實力贏得了歐美國家以及世界各地樂迷對于澳洲樂隊的尊敬。 提到澳洲的極端金屬音樂，每一個人都會很自然想到DESTROYER 666。樂隊風(fēng)格也一直有微小變化，本身經(jīng)歷了從Black Metal到Blackend Death Metal，到2002的的Brutal Thrash風(fēng)格的轉(zhuǎn)化，都非常成功。很多老樂隊在軟化或者變味，DESTROYER 666依然保持了金屬的本色，而且不斷進步！
Melbourne, Australia's subtlety-free Destroyer 666 originated as a one-man black metal project from the imaginatively named K.K. Warslut (aka Keith Destroyer, formerly of pioneering Ozzie Satanists Bestial Warlust). Following 1995's solo-recorded Violence Is the Prince of This World, additional members Shrapnel (guitar), Bullet Eater (bass, aka Phil Gresik of Hobb's Angel of Death and Bestial Warlust fame), and Ballistic Howitzer (drums) filled out the band's ranks for 1997's sophomore Unchain the Wolves, by which time Destroyer 666 had also adopted the clever slogan: &Australian and Antichrist.& Three years passed before the band finalized its third album, Phoenix Rising, which brought punchier thrash and death metal elements to the mix, and greatly heightened their profile, being their first international release via the Season of Mist label. The same was true of 2002's Cold Steel...for an Iron Age, but after the next year's Terror Abraxas EP, Destroyer 666 seemed to lose a little steam, and have yet to record again.
