James Lavelle

小簡(jiǎn)介
James Lavelle，英國(guó)著名實(shí)驗(yàn)Hip-Hop組合U.N.K.L.E.的首腦；推動(dòng)抽象Hip-Hop這種音樂(lè)形式產(chǎn)生的重要音樂(lè)廠牌Mo'Wax的創(chuàng)始人和老板；英國(guó)倫敦最著名的俱樂(lè)部Scala和Fabric的駐場(chǎng)DJ。James Lavelle在年少時(shí)就創(chuàng)辦了Mo'Wax，不論是為唱片公司網(wǎng)羅世界級(jí)優(yōu)秀藝人，或是自己的原創(chuàng)/混音作品，都已成為全球Hip-Hop音樂(lè)圈里推至極限的經(jīng)典。到現(xiàn)在旗下藝人已經(jīng)有了象DJ Shadow、DJ Krush這樣響亮的名字。他的個(gè)人魅力也吸引了炙手可熱的DJ Shadow加入到他的U.N.K.L.E.樂(lè)隊(duì)，Richard Ashcroft（The Verve的主唱）、Mike D（Beastie Boys的成員）、Thom Yorke（Radiohead的主唱）、Badly Drawn Boy等人為他的U.N.K.L.E.樂(lè)隊(duì)的專輯參與制作；作為一個(gè)DJ，他擅長(zhǎng)各種類型的音樂(lè)，尤其是對(duì)他影響很大的Hip-Hop。從早期播放Stevie Wonder、Deep Purple到現(xiàn)在兼收并蓄，變化多端的音樂(lè)風(fēng)格，盡管如此，對(duì)于已經(jīng)名聲顯赫的James Lavelle來(lái)說(shuō)，唯一不變的是好的音樂(lè)和不斷的自我音樂(lè)革命。
James Lavelle同時(shí)還是一個(gè)時(shí)尚界的標(biāo)志人物。他所簽約的日本超級(jí)DJ Krush不僅讓他的唱片品牌Mo'Wax名揚(yáng)四海，更是為他結(jié)識(shí)了很多日本時(shí)裝界的巨子，其中當(dāng)然包括原宿地區(qū)的著名設(shè)計(jì)師Nigo。Nigo旗下的時(shí)裝品牌A Bathing Ape在之后的很多年里都是James Lavelle充當(dāng)形象代表的。James還擁有自己的時(shí)裝品牌，并在倫敦和新加坡都擁有時(shí)裝店。他的U.N.K.L.E.樂(lè)隊(duì)的形象還是由紐約著名的涂鴉大師Futura設(shè)計(jì)的。俊朗的外表加上超級(jí)時(shí)尚的品味，以及他在地下音樂(lè)界的江湖地位，無(wú)一不讓James成為Global Underground系列的新寵。
曾經(jīng)出版的唱片包括：
Fabric Live 01 (2001)
Global Underground 023 - James Lavelle - Barcelona (2002)
Global Underground 026 - James Lavelle - Romania (2004)
U.N.K.L.E.
Psvence Fiction (1998)
Never Never Land (2003)
曾經(jīng)合作過(guò)的音樂(lè)人：
DJ Shadow (美國(guó)最杰出的Hip-Hop DJ)
Richard Ashcroft (英國(guó)著名樂(lè)隊(duì)The Verve主唱)
Skylab (英國(guó)著名電子樂(lè)隊(duì))
Mike D (美國(guó)樂(lè)隊(duì)Beastie Boys成員)
Thom Yorke (英國(guó)超級(jí)樂(lè)隊(duì)Radiohead主唱)
Badly Drawn Boy
Josh Homme (Queens Of The Stone Age樂(lè)隊(duì)成員)
Ian Brown (Stone Roses主唱)
Kudo
Brian Eno (世界環(huán)境音樂(lè)教父)
Howie B (U2和Bjork唱片制作人)
Experimental hip-hop outfit U.N.K.L.E. were one of the original artists releasing material through noted U.K. label Mo'Wax, which helped launch the instrumental mid-'90s downtempo breakbeat revival eventually termed trip-hop. Though hardly the label's highest profile group, U.N.K.L.E. numbers among its members label-head James Lavelle, who formed Mo'Wax while still in his teens as an antidote to the increasingly stale acid jazz/Northern Soul scene. Stripping the music down to its barest of essentials -- bass, percussion, minimal samples and heavy effects -- the Mo'Wax sound (best exemplified by the second Mo'Wax label comp, Headz, as well as its sequel, the two-part Headz 2) quickly gained respectability and a large audience. Although not as prolific as other Mo'Wax artists such as DJs Shadow and Krush, Lavelle's group nonetheless played a crucial role in cementing Mo'Wax's early sound though their Time Has Come double EP, the latter of which featured remixes of the title track by Plaid, Portishead, and U2 producer Howie B.
The group comprises the trio of Lavelle, Tim Goldsworthy -- a mate of Lavelle's since childhood -- and producer Kudo, of seminal Japanese label Major Force (and a member of the on-again, off-again psychedelic beat crew Skylab). Previous to his entree into production, Lavelle along with Goldsworthy was deep into New York hip-hop and electro, the emerging late-'80s Sheffield bleep scene, the English acid jazz scene (which he covered as a columnist for Straight No Chaser magazine), and of course the acid house and techno explosions that were redefining the English counterculture at the time. The pair hooked up with third-member Kudo through the growing rep of the latter's Love T.K.O. project. whose outbound interpretations of breakbeat and acid jazz drew Lavelle's ear. While Goldsworthy and Kudo remain more heavily involved in nuts'n'bolts production (especially given the success of Mo'Wax, with Lavelle penning an expansive partial ownership deal with A&M Records in 1996), Lavelle is heavily involved in the conceptual and organizational end, crafting beats and laying out vague sketches his partners then expand into full-blown tracks. Despite the scarcity of released material, U.N.K.L.E. have grown to wider acclaim recently through remix projects for the Jon Spencer Blues Explosion and Tortoise. An album is due sometime in 1998. Three years later, Lavelle issued his debut album Fabriclive.01, a more or less a retrospective of his popular setlists from his residency at the famous London club, Fabric. He marked his debut for Global Underground in 2002 with the stylish Global Underground: Barcelona release. His second installment in the series, Global Underground: Romania followed two years later.