Tatiana Nikolayeva

尼古拉耶娃 (1924-1993 ) Tatiana Nikolayeva俄羅斯女鋼琴家，在莫斯科中央音樂(lè)學(xué)校和音樂(lè)學(xué)院學(xué)習(xí)時(shí)，鋼琴教師一直是戈登威澤，1947年從鋼琴系畢業(yè)后又在戈魯別夫班上學(xué)作曲。1950年參加萊比錫國(guó)際比賽，獲巴赫作品最佳演奏獎(jiǎng)，1955年被授予"人民藝術(shù)家"稱(chēng)號(hào)，1959年起在莫斯科音樂(lè)學(xué)院任教，1965年升為教授。尼古拉耶娃是一位情感強(qiáng)烈的鋼琴家，她對(duì)熱情與清晰的處理能達(dá)到極好的平衡。她所演繹的肖斯塔科維奇的《24首前奏曲與賦格》，可以說(shuō)是最體現(xiàn)其水平的作品。
Tatyana Petrovna Nikolayeva (Russian: Татья?на Петро?вна Никола?ева, Tat'jana Petrovna Nikolaeva; May 4, 1924 – November 22, 1993), PAU, was a Russian Soviet pianist, composer and teacher.
Nikolayeva was born in Bezhitsa (now part of Bryansk) in the Bryansk district on May 4, 1924. Her mother was a professional pianist and studied at the Moscow Conservatory under the renowned pedagogue Alexander Goldenweiser, and her father was an amateur violinist and cellist. She studied piano from the age of three and was composing by age twelve. At thirteen, she entered the Moscow Conservatory, studying with Goldenweiser and Evgeny Golubev. Goldenweiser, who had been friends with Alexander Scriabin, Sergei Rachmaninoff and Nikolai Medtner, stressed the need to develop the highest proficiency in contrapuntal playing. Nikolayeva graduated in 1948.
 
After graduation, she studied composition with Golubev. During this time, she wrote a cantata, Pesn o schastye (Song about Happiness), and two piano concertos. The first concerto, in B major, was recorded with the USSR State Symphony Orchestra under the conductor Kirill Kondrashin.
In 1950 Nikolayeva gained prominence by winning the International Johann Sebastian Bach Competition, part of the bicentennial marking Bach's death. More importantly, she met Dmitri Shostakovich at the competition, leading to a lifelong friendship, and was chosen as a first performer of Shostakovich's 24 Preludes and Fugues. Nikolayeva made three complete recordings of the cycle.
 
In 1959 Nikolayeva became a teacher at the Moscow Conservatory, later becoming professor in 1965. She made over 50 recordings during her career, notably keyboard works by Bach, including his Art of Fugue, and by Beethoven, but only became widely known in the West late in life. With the fall of Communism, she found herself in demand internationally, making several concert tours to Europe and the United States. She also sat as a jury member on many international competitions, including the Leeds International Piano Competition in 1984 and 1987. One of her best known recordings is her own transcription of Sergei Prokofiev's Peter and the Wolf, which was released by RCA Victor in Japan. She was known to have had an immense repertoire, and many enthusiasts await the reissue of much of her Melodiya back-catalog.