簡(jiǎn)介: “冒牌貨”樂(lè)隊(duì)的詞曲作者兼主唱,克里斯·辛迪,從小生長(zhǎng)在俄亥俄北部的阿克倫城,后來(lái)去了英國(guó),并在英國(guó)組建了現(xiàn)在這支樂(lè)隊(duì)。在早期的幾張專集中,他們憑借著簡(jiǎn)單靈巧的編曲以及女主唱中性化的嗓音,再配上其敏銳的歌詞而一舉成為八十年代“新浪 更多>
“冒牌貨”樂(lè)隊(duì)的詞曲作者兼主唱,克里斯·辛迪,從小生長(zhǎng)在俄亥俄北部的阿克倫城,后來(lái)去了英國(guó),并在英國(guó)組建了現(xiàn)在這支樂(lè)隊(duì)。在早期的幾張專集中,他們憑借著簡(jiǎn)單靈巧的編曲以及女主唱中性化的嗓音,再配上其敏銳的歌詞而一舉成為八十年代“新浪潮”樂(lè)隊(duì)的代表。傳奇民謠搖滾歌手尼爾·揚(yáng)介紹了“冒牌貨”樂(lè)隊(duì)并與樂(lè)隊(duì)成員一起演奏了他們的成名曲。
“歐·杰伊斯”也是在俄亥俄洲本地組建的樂(lè)團(tuán)。早在七十年代中,他們就擁有了不少熱門歌曲,其中包括《愛(ài)之列車》以及《報(bào)復(fù)者》。
中國(guó)樂(lè)迷非常熟悉的曾演唱《航行》等歌曲的羅德·斯圖爾特,在儀式上為人們介紹了根源于鄉(xiāng)村民謠風(fēng)格的阿拉巴馬州靈魂樂(lè)歌手及詞曲作者珀西·斯雷吉,他的《當(dāng)男人愛(ài)上女人》在美國(guó)家喻戶曉。當(dāng)他接過(guò)獎(jiǎng)杯站在臺(tái)上,斯雷吉不禁回憶起他十幾歲時(shí)的一段往事,那時(shí)他還是一個(gè)摘棉花工人:“一天,我的老板對(duì)我預(yù)言說(shuō),‘珀西,現(xiàn)在從你嗓子里發(fā)出的這個(gè)聲音,總有一天全世界都將聽(tīng)見(jiàn)’。
Over the years, the Pretenders became a vehicle for guitarist/vocalist Chrissie Hynde's songwriting, yet it was a full-fledged band when it was formed in the late '70s. With their initial records, the group crossed the bridge between punk/new wave and Top 40 pop more than any other band, recording a series of hard, spiky singles that were also melodic and immediately accessible. Hynde was an invigorating, sexy singer who bent the traditional male roles of rock & roll to her own liking, while guitarist James Honeyman-Scott created a sonic palate filled with suspended chords, effects pedals, and syncopated rhythms that proved remarkably influential over the next two decades. After Honeyman-Scott's death, the Pretenders became a more straightforward rock band, yet Hynde's semi-autobiographical songwriting and bracing determination meant that the group never became just another rock band, even when their music became smoother and more pop-oriented.
Originally from Akron, OH, Hynde moved to England in the early '70s, when she was in her twenties. British rock journalist Nick Kent helped her begin writing for New Musical Express; she wrote for the newspaper during the mid-'70s. She also worked in Malcolm McLaren's SEX boutique before she began performing. After playing with Chris Spedding, she joined Jack Rabbit; she quickly left the band and formed the Berk Brothers.
In 1978, Hynde formed the Pretenders, which eventually consisted of Honeyman-Scott, bassist Pete Farndon, and drummer Martin Chambers. Later in the year, they recorded a version of Ray Davies' &Stop Your Sobbing& produced by Nick Lowe. The single made it into the British Top 40 in early 1979. &Kid& and &Brass in Pocket,& the group's next two singles, also were successful. Their self-titled debut album was released in early 1980 and eventually climbed to number one in the U.K. The Pretenders were nearly as successful in America, with the album reaching the Top Ten and &Brass in Pocket& reaching number 14.
During an American tour in 1980, Hynde met Ray Davies and the two fell in love. Following a spring 1981 EP, Extended Play, the group released their second album, Pretenders II. Although it fared well on the charts, it repeated the musical ideas of their debut. In June of 1982, Pete Farndon was kicked out of the band, due to his drug abuse. A mere two days later on June 16, James Honeyman-Scott was found dead of an overdose of heroin and cocaine. Pregnant with Davies' child, Hynde went into seclusion following Honeyman-Scott's death. In 1983, two months after Hynde gave birth, Farndon also died of a drug overdose.
Hynde regrouped the Pretenders in February 1983, adding former Manfred Mann's Earth Band guitarist Robbie McIntosh and bassist Malcolm Foster; the reconstituted band released &2000 Miles& in time for Christmas. The new Pretenders released Learning to Crawl early in 1984 to positive reviews and commercial success. Ending her romance with Ray Davies, Hynde married Jim Kerr, the lead vocalist of Simple Minds, in May of 1984.
Apart from a performance at Live Aid, the only musical activity from the Pretenders during 1985 was Hynde's appearance on UB40's version of &I Got You Babe.& Hynde assembled another version of the Pretenders for 1986's Get Close. Only she and McIntosh remained from Learning to Crawl; the rest of the album was recorded with session musicians. Get Close showed the Pretenders moving closer to MOR territory, with the bouncy single &Don't Get Me Wrong& making its way into the American Top Ten in 1987. Hynde recorded another duet with UB40 in 1988, a cover of Dusty Springfield's &Breakfast in Bed.&
Hynde's marriage to Kerr fell apart in 1990, the same year the Pretenders released Packed!, which failed to ignite the charts in either America or Britain. She was relatively quiet for the next few years, re-emerging in 1994 with Last of the Independents, which was hailed as a comeback by some quarters of the press. The album did return the Pretenders to the Top 40 with the ballad &I'll Stand by You.& In the fall of 1995, the Pretenders released the live album Isle of View, then remained silent for a few years. Hynde finally returned in 1999 with an album of new material, Viva el Amor. Three years later, the Pretenders left their longtime label for Artemis. The reggae-tinged Loose Screw appeared in November and a tour followed in January 2003. In March 2006, the Pretenders released their first-ever box set, Pirate Radio, via Rhino. The four-disc package included over five hours of music and a DVD of rare performances.