Magic Slim

by Bill Dahl & Al Campbell
Magic Slim & the Teardrops proudly uphold the tradition of what a Chicago blues band should sound like. Their emphasis on ensemble playing and a humongous repertoire that allegedly ranges upwards of a few hundred songs give the towering guitarists live performances an endearing off-the-cuff quality: You never know what obscurity hell pull out of his oversized hat next.
Born Morris Holt on August 7, 1937, the Mississippi native was forced to give up playing the piano when he lost his little finger in a cotton gin mishap. Boyhood pal Magic Sam bestowed his magical moniker on the budding guitarist (and times change as Slims no longer slim). Holt first came to Chicago in 1955, but found that breaking into the competitive local blues circuit was a tough proposition. Although he managed to secure a steady gig for a while with Robert Perkins band (Mr. Pitiful & the Teardrops), Slim wasnt good enough to progress into the upper ranks of Chicago bluesdom.
So he retreated to Mississippi for a spell to hone his chops. When he returned to Chicago in 1965 (with brothers Nick and Lee Baby as his new rhythm section), Slims detractors were quickly forced to change their tune. Utilizing the Teardrops name and holding onto his Magic Slim handle, the big man cut a couple of 45s for Ja-Wes and established himself as a formidable force on the South side. His guitar work dripped vibrato-enriched nastiness and his roaring vocals were as gruff and uncompromising as anyones on the scene.
All of a sudden, the recording floodgates opened up for the Teardrops in 1979 after they cut four tunes for Alligators Living Chicago Blues anthology series. Since then, a series of nails-tough albums for Rooster Blues, Alligator, and a slew for the Austrian Wolf logo have fattened Slims discography considerably. The Teardrops weathered a potentially devastating change when longtime second guitarist John Primer cut his own major-label debut for Code Blue, but with Slim and bass-wielding brother Nick Holt still on board, its doubtful the quartets overall sound will change dramatically in Primers absence. In 1996, Slim signed with Blind Pig and has cut some of the most-celebrated albums of his career, including Scufflin in 1996, Black Tornado in 1998, Snakebite in 2000, and Blue Magic in 2002. A live recording taped in 2005 at the Sierra Nevada Brewery was released that same year on both DVD and CD as Anything Can Happen. 2006 saw the release of Tin Pan Alley, a set of recordings made between 1992 and 1998 in Chicago and Europe, on Austrias Wolf Records.