簡介： by Steve HueySponge was one of the more underrated groups in the post-grunge boom of the mid-90s. When they were on top of their game — as 更多>
by Steve HueySponge was one of the more underrated groups in the post-grunge boom of the mid-90s. When they were on top of their game — as on the hits Plowed and Molly (Sixteen Candles) — their songs had a knack for jangly riffs and catchy, anthemic hard rock hooks, despite being wrapped in the fuzzy guitars and brooding seriousness of grunge. Sponge grew out of a Detroit-based hard rock act called Loudhouse, which released an album on Virgin in 1988 before getting dropped and breaking up. Drummer-turned-vocalist Vinnie Dombrowski (born Mark Dombrowski) and guitarists Mike Cross and Joey Mazzola regrouped as Sponge in 1992, adding Mikes brother Tim Cross on bass and Jimmy Paluzzi on drums. Adapting their 70s hard rock influences to fit the grunge zeitgeist, Sponge earned a major-label deal with Columbia and released their debut album, Rotting Pinata, in late 1994. Critics compared them unfavorably to Stone Temple Pilots, but alternative radio embraced the bands first two singles, the driving rocker Plowed and the jangly, introspective Molly (Sixteen Candles). A third single, Rainin, also earned airplay, and Rotting Pinata went gold; meanwhile, Sponge went on tour as Lives opening act. With new drummer Charlie Grover in tow, their 1996 follow-up album, Wax Ecstatic, was a more diverse affair, rediscovering some of the bands roots in arena rock, British glam, and jangle pop. But even though songs like Wax Ecstatic (To Sell Angelina), I Am Anastasia, and Have You Seen Mary landed some radio airplay, Columbia was dissatisfied with the sales figures and dropped Sponge once the album left the charts. Undaunted, Sponge signed a new deal with the Beyond label, which released the more classicist New Pop Sunday in 1999. It attracted little commercial attention, and more personnel shifts ensued. Tired of touring, the Cross brothers both left and were replaced by guitarist Kurt Marschke and bassist Tim Krukowski; Billy Adams also came on board as the new drummer. After several years of recharging — during which time Dombrowski played in several Detroit-area side projects — Sponge returned with For All the Drugs in the World in 2003 and Man in 2005 on the Idol label. Dombrowski reworked the lineup once again, adding guitarists Kyle Neely and Andy Patalan, before returning again to the studio in 2007 to record Galore Galore for Bellum Records.
