The Light Crust Doughboys

簡(jiǎn)介: by Steve HueyOne of the original Western swing bands, the Light Crust Doughboys once featured the combined talents of Western swings two mo 更多>

by Steve HueyOne of the original Western swing bands, the Light Crust Doughboys once featured the combined talents of Western swings two most renowned figures, Bob Wills and Milton Brown. That lineup was unfortunately short-lived, due in large part to issues with the groups overly controlling manager, W. Lee Pappy ODaniel (who would later become governor of Texas). However, even after all three of those figures were gone, the Light Crust Doughboys soldiered on, becoming one of the most popular pre-war Western swing bands in Texas; versions of the group continued to perform, off and on, right up to the turn of the millennium. The group that became the Light Crust Doughboys was formed in 1929 as the Wills Fiddle Band, when Bob Wills joined up with guitarist Herman Arnspiger in Fort Worth, TX. The duo began playing dances and radio shows, and hooked up with singer Milton Brown in 1930. Browns brother Durwood soon joined the band as a second guitarist, and banjoist Clifford Sleepy Johnson arrived not long after. The group landed a regular radio gig in Fort Worth sponsored by the Aladdin Lamp Company, and accordingly changed their name to the Aladdin Laddies. That didnt last long, however; in 1931, the band landed their own morning show on a rival station, sponsored by Burris Mill, the makers of Light Crust Flour. Pappy ODaniel managed the company at the time, and he convinced them to adopt Light Crust Doughboys as their new name. Still, ODaniel disliked the groups music, dismissing it as hillbilly; he attempted to cancel the show after just two weeks, but popular demand kept the group on the air (as well as a deal with ODaniel whereby the band members agreed to work in the flour mill). With their regular radio show and wide-ranging musical repertoire (country, blues, jazz, pop, gospel, and more), the Light Crust Doughboys became one of the most popular and widely exposed bands in Texas. Musicians like singer/yodeler Leon Huff, steel guitarist Leon McAuliffe, and banjoist Johnnie Lee Wills began playing with the group. Realizing he had a good thing on his hands, ODaniel became the Doughboys manager and sometime songwriter as well as the shows announcer; he first moved the Doughboys to a new station, and then landed their show on a syndicated radio network that spread their sound across the Southwest. But his refusal to allow the band to play gigs outside the radio show was frustrating to its members, who felt they werent seeing enough money. Wills, Johnson, and the Brown brothers recorded a single for Victor in 1932 under the name the Fort Worth Doughboys, which was a precursor to Milton Brown leaving the group several months later. Wills replaced him with Tommy Duncan, but clashed frequently with ODaniel, and wound up leaving himself in the summer of 1933, taking Duncan with him. Undeterred, ODaniel reorganized the Doughboys and brought them to Chicago later in the year for a recording session with Vocalion. However, his days with the band were numbered as well; disputes with the Burris Mill Company led to his being fired in 1935. ODaniel put together a new band called the Hillbilly Boys, and thanks to his radio exposure, he made a successful run for governor of Texas in 1938. Meanwhile, the Light Crust Doughboys new lineup had solidified by 1937: fiddle players Kenneth Pitts and Clifford Gross (plus Cecil Brower on occasion), banjoist Marvin Smokey Montgomery (who would remain with the group right up to his death in 2001), lead guitarist Muryel Campbell, rhythm guitarist Dick Reinhart, pianist John Knocky Parker, and bassist Ramon DeArman. This lineups recordings were among the biggest selling in their hometown, and were quite popular across the region thanks in part to their continued radio exposure, which now reached over 170 stations. Their success continued right up to World War II, at which point most of the members joined either the Army or the defense industry. The Doughboys radio show was thus canceled in 1942; Burris Mill attempted to mount a new version of the program in 1946, featuring Jack Perry as the leader of the band (a post Smokey Montgomery took over in 1948). But despite a series of new recordings for King, interest had dissipated, and the radio show was canceled for good in 1950. While Montgomery kept the band going in some form, off and on, during the remainder of his life, the first large-scale revival of the Light Crust Doughboys took place during the 60s, featuring Montgomery (now on guitar as well as banjo), guitarist Billy Hudson, fiddler Johnny Strawn, bassist Artie Glenn, and steel guitarist Paul Blount. During the 90s, when the band began recording again, the lineup featured Montgomery, guitarist Jerry Elliott, bassist Art Greenhaw, fiddlers John Walden and Jim Baker, and pianist Bill Simmons. Montgomery passed away on June 6, 2001, after a bout with leukemia.

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