Jarvis Cocker

當(dāng)年英國Sheffield班霸樂團(tuán)Pulp宣布拆伙，主將Jarvis Cocker將作單飛個(gè)人發(fā)展，毋庸置疑是一件那么理所當(dāng)然的事。只是，事情卻并非緊接而來。
反之，他則遲遲未見有發(fā)行個(gè)人專輯的舉動，樂迷心想：難道Jarvis有意違反樂隊(duì)解散后其主唱定必變身個(gè)人歌手的定律。所以，當(dāng)樂迷得悉他將出版其首張個(gè)人專輯Jarvis時(shí)，都不其然會有這個(gè)反應(yīng)：“終于等到你出版?zhèn)€人專輯了。”
縱然在2003年Jarvis已曾化名Darren Spooner組成過Relaxed Muscle這支樂團(tuán)，以作為他的第一個(gè)“后Pulp”音樂活動。然而Relaxed Muscle的音樂卻總予人游戲之筆的感覺，所以在某程度上大家只有視之為Jarvis的搞鬼Side Project習(xí)作而已。
現(xiàn)在，他首次以個(gè)人名義出版的專輯，唱片名字也簡單直接的喚作Jarvis。最重要是，當(dāng)Jarvis移居法國巴黎后，曾一度萌起退出樂壇之念，所以大家聽到這專輯，都難免有一種“Jarvis回來了”之感。
湊巧是Pulp那三張1994至98年間的專輯《His ‘N’ Her、Different Class》和《This Is Hardcore》在較早前，亦同步以Deluxe Edition雙碟形式再版發(fā)行，仿佛是在迎接Jarvis Cocker的回歸般。
Misfits have often been part of rock & roll, but of the many outsiders, few have been as clear-eyed, passionate, and savagely witty as Jarvis Cocker, a bookish, sex-obsessed English eccentric who became not just a star but a pop archetype as the leader of Pulp in the '90s. It's been impossible to separate Jarvis Cocker's story from Pulp -- he was not only the founder, he was the creative force and the only constant member during the group's long, winding history. Winding down Pulp, as he did not long after the group's 2002 We Love Life, was not so much a breakup of a band as it was a closing of a chapter of Cocker's life, as he moved from the U.K. to settle in Paris with his new wife and child. After a few quiet years he began recording again, first as a member of the barbed electro-pop duo Relaxed Muscle and then as a solo artist, releasing his debut solo album, Jarvis, at the end of 2006.At the time of the release of his solo debut, Cocker had been pursuing a music career for nearly 30 years. At the age of 15 in 1978, he formed Arabacus Pulp, dropping the "Arbacus" before they went public -- and they went public in a big way, having their first Peel Session in November 1981 before they released an album. It was an auspicious beginning, but Pulp then settled in for a decade of struggle. They released the bedsit indie pop of It to little attention in 1984, then they morphed into murky goth rock a year later, signing to the British indie Fire in 1985, with Freaks following in 1986. Two years later, Cocker, along with Pulp bassist Steve Mackey, left his hometown of Sheffield to attend university at St. Martin's College in London. Pulp were still an active, if irregular, proposition and they had once again shifted sound, incorporating elements of the burgeoning rave and acid house movements for their next album, Separations, a record recorded in 1989 but not released until 1991, when the single My Legendary Girlfriend began attracting attention, including being awarded Single of the Week by NME. My Legendary Girlfriend kicked off the classic years of Pulp. They signed to Gift in 1992, where they soon hit upon their signature sleek, sexy sound, equal parts glam and post-punk. Babies proved to be their breakthrough to the big leagues, leading to a contract with Island Records, which released the band's major-label debut, His 'n' Hers, in the spring of 1994. The album did well, garnering good reviews and earning a Mercury Award nomination, but they truly entered the big leagues in 1995, as the bracing Common People single became a smash hit -- the kind of hit that defined an era. Its accompanying album, Different Class, was equally successful, entering the charts at number one and going gold within its first week of release. Pulp were now stars -- or, perhaps more accurately, Jarvis Cocker was now a genuine star, appearing on magazine covers constantly, popping up on television, even earning the honor of being parodied by TV comedians throughout 1995. All these heady times culminated at the 1996 Brit Awards when he interrupted Michael Jackson's performance of "Earth Song" and was later arrested for his stunt. This prank only cemented Cocker's position as a British pop hero, but his status soon weighed heavily on his shoulders, as evidenced by the band's gloomy 1998 follow-up to Different Class, This Is Hardcore, an ambitious, arty album that slowed Pulp's commercial momentum. The hits might not have been arriving as quickly as they once did, but Cocker continued to work and not just in Pulp: he sang with Barry Adamson, wrote with the All Seeing I, and directed various music videos. One more Pulp album -- the elegiac Scott Walker-produced We Love Life -- followed before the band quietly became inactive. Cocker moved to Paris with his new wife, Camille Bidault-Waddington, where they soon started a family, as she gave birth to a son. After a few quiet years, he and ex-Fat Trucker Jason Buckle, augmented by former Pulp touring guitarist Richard Hawley, embarked on the electro-pop project Relaxed Muscle, releasing one album -- A Heavy Nite With -- in 2003. It was a low-key project and Cocker continued to do low-key work, collaborating with pop queens Nancy Sinatra and Marianne Faithfull, and working with the Lovers in 2005. Later that year, he began to re-emerge in a more public fashion, notably as the leader of the Weird Sisters, the supergroup assembled for a Hogwarts school dance sequence in Harry Potter and the Goblet of Fire; it also featured Pulp's Steve Mackey and Jonny Greenwood and Phil Selway from Radiohead. But 2006 was the real kickoff of Cocker's solo career, as he and Mackey put together an edition of the various-artists series The Trip, released the single "Running the World" on the Internet that summer, and then released his solo debut, Jarvis, at the end of the year.