簡(jiǎn)介: 原音吉他演奏、hip-hop節(jié)奏、臥室電子樂(lè)派顆粒嘎茲、環(huán)境飄緩旋律,是德國(guó)電子樂(lè)手Christian Kleine作品里幾個(gè)可供辨識(shí)的要素,相較于Herrmann & Kleine里流行甜美以及第二張專輯「Valis」(2002)之后的多元實(shí)驗(yàn),Christian Kleine 更多>
原音吉他演奏、hip-hop節(jié)奏、臥室電子樂(lè)派顆粒嘎茲、環(huán)境飄緩旋律,是德國(guó)電子樂(lè)手Christian Kleine作品里幾個(gè)可供辨識(shí)的要素,相較于Herrmann & Kleine里流行甜美以及第二張專輯「Valis」(2002)之后的多元實(shí)驗(yàn),Christian Kleine首張專輯「Beyond Repair」(2001);顯得悲傷憂郁許多,更有著純凈的美感。八首曲子主要以hip-hop節(jié)奏引導(dǎo),盡是深夜般氣息,飄蕩著濃霧的涼意,令人放松卻又感到悵惘心緒難以抑制。特別是"Kritzel"這首曲子,水氣泡沫升騰聲效襯托出極為美麗動(dòng)人的環(huán)境電子旋律,質(zhì)量足以作為電影配樂(lè),描述著敏感易碎的愛(ài)情,或是新生命的誕生。
Electronic producer Christian Kleine grew up in a town surrounded by the Alps and grew up taping radio programs that played alternative rock. Eventually, in the early '90s, he made a shift over to house and techno after teaching himself how to play guitar, bass, and drums. A few years later, he moved to Berlin, fell in with the electronic music scene, and he began working on his own productions. He made his debut for City Centre Offices in 2001, with Beyond Repair, a full-length that combined hip-hop-influenced beats with various textures that occasionally included guitar. A year later, Kleine popped up on the Morr Music label with Valis. Kleine has also teamed up with City Centre Offices honcho Thaddi Herrmann as Herrmann & Kleine.
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