Dreamaiden

Susan Baird?出生于一個(gè)藝術(shù)、音樂(lè)世家，受家庭的熏陶走向音樂(lè)生涯。在大學(xué)里她學(xué)鋼琴，并接受度長(zhǎng)笛和電子音樂(lè)、計(jì)算機(jī)編程培訓(xùn)。曾為會(huì)議、社團(tuán)的音樂(lè)創(chuàng)作視頻，多年的不懈努力和自身的才華促成她終于實(shí)現(xiàn)了自己的夢(mèng)想——作曲。此后，她用?Dreamaiden?為自己樂(lè)隊(duì)命名，并于2007年發(fā)行了首張專(zhuān)輯《Blue Light》，獲得了巨大的成功。樂(lè)隊(duì)?Dreamaiden?的演奏風(fēng)格一如橘夢(mèng)樂(lè)團(tuán)和和英格瑪迷幻色彩。
隨后，Susan Baird?與 Steve Blenkinsopp 合作。這也標(biāo)志著?Dreamaiden?樂(lè)隊(duì)進(jìn)入一個(gè)新階段。
From the moment you begin listening you know you have entered a special place - the beautiful and creative world of Dreamaiden. From the opening piece, Reflections, a tranquil and reflective piece, to the title track, Blue Light, a piece that leads you to your soul, to Indra, the bright commercial favorite, to Hypnotika, pure electronic music featuring the Alesis Andromeda synthesizer, to the final masterpiece, Deeper, a collaboration between Dreamaiden and UK artist and mastering engineer of the Blue Light CD, Steve Blenkinsopp, aka. Waveform, Blue Light is one of the most emotionally evocative albums to be released in many years according to one connoisseur.
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The Dreamaiden sound hints of bands such as Tangerine Dream and Enigma while bringing something new and original to the table.
Blue Light is a CD with such an accomplished and polished sound, it is difficult to believe that it represents an artist's debut release. Dreamaiden has achieved a difficult task here. She's managed to create music in a unique and distinguishable style - one that truly stands out in a crowded marketplace. Every aspect of the production has been impeccably performed and recorded, from the initial recording to the final mastering. The result is a CD of assured performances and outstanding sound quality that is sure to win many converts to the Dreamaiden sound. -SynthMusic Radio
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I would like to say how wonderfully refreshing your debut CD, Blue Light sounds. I especially like the way you have produced a rhythmic, almost ritualistic quality to the Album as a whole. Your use of strong percussion sounds over the entire work lifts this above others and I can also hear a broad sound canvas. You are not afraid to use a wider emotive range which is, again, very refreshing. - Adrian Wagner, F. Comp. ASMAC