The Clean

by Stephen Thomas Erlewine
The Clean were one of the most influential New Zealand bands of the post-punk era. The band formed in the town of Dunedin in 1978, when Hamish Kilgour (drums) and his brother David (guitar) recruited Davids school friend, guitarist Peter Gutteridge. Soon afterward, they opened for New Zealand punk rockers Enemy.
The Clean were one of the first bands in the country to play original material. They carved out a distinctive noisy but melodic sound, distinguished by Davids screeching, distorted guitar. When the Kilgour brothers decided in 1979 to relocate the band to Auckland, Gutteridge had already left the lineup. The Clean played with a rotating bassist before David quit the band and moved back to Dunedin. Once he was back home, he was introduced to bassist Robert Scott and the two started playing together; news of his brothers new musical relationship prompted Hamish to move back to Dunedin and begin the Clean again.
In early 1980, the group began playing around town in earnest. In early 1981, a fan named Roger Shepherd began Flying Nun Records to release a single by the Clean, Tally Ho! With its jagged guitar, sweet melody, and persistent organ, Tally Ho! reached number 19 on the charts.
As they prepared to record their first album, they discovered that the small amount of New Zealand engineers didnt care for the bands material. The Clean didnt fight — they backed down, deciding to record on a four-track under the guidance of Chris Knox and Doug Hood. In November, the Boodle Boodle Boodle EP was released; it surprised every observer by climbing to number four on the New Zealand charts.
Boodle and the 1982 EP Great Sounds Great captured the quirky sides of the Cleans sound, since they did not have the technology to replicate the bands roaring live sound. Later in 1982, the group released their loudest single yet, Getting Older. Soon after its release, David Kilgour exited the band, moving back to Dunedin. Robert Scott left after Davids departure, forming a band of his own, the Bats. Hamish Kilgour moved to Christchurch — where Flying Nun Records was located — and bought his own four-track. After Hamish had begun writing and recording, David came up to Christchurch to help finish up the solo tracks, as well as to record some Clean songs. The resulting music, released under the name the Great Unwashed, was collected on the album Clean Out of Our Minds. The music was a departure from the Cleans punk-injected sound; instead, it was folkier and more acoustic.
To promote the record, the Kilgours reunited with Peter Gutteridge while still using the name the Great Unwashed. On the ensuing tour, the band concentrated on Gutteridges backlog of material; at the beginning of 1984, they recorded an EP called Singles. Singles earned quite a bit of airplay and sales. Bassist Ross Humphries was added so David Kilgour and Gutteridge could both play guitar, yet the Great Unwashed wound up breaking up within a year. Hamish Kilgour formed Bailter Space with guitarist Alister Parker, Gutteridge began developing a new band called Snapper, and David stopped playing for a few years.
The Clean — the lineup featuring Robert Scott — reunited in 1988 for two concerts in London; a five-song EP culled from the shows was released a year later. The members of the band were encouraged by the results and decided to embark on a world tour. After the tour ended, the band recorded a new album, which was more straightforward and pop-oriented than their previous material. The record, Vehicle, was released in the spring of 1990 and the band supported its release with a world tour. After the tours completion, the band split again. David Kilgour formed Stephen, Scott returned to the Bats, and Hamish Kilgour was inactive; the group reunited in 1994 to record a new album. Modern Rock was released in late 1995, followed by Unknown Country in 1996. Getaway appeared in 2001 on Merge, but went unnoticed. Two years later, the definitive Clean collection was captured on the Anthology release.