Bobby Fuller Four

由James Reese, Randy Fuller, Bobby Fuller, DeWayne Quirico組成
了共同的理想，四個(gè)大男孩從TEXAS 遷居LA開始了他們奇幻的音樂旅程，一場接一場的巡演，THE BOBBY FULLER FOUR這個(gè)名字漸漸為人所知，當(dāng)初的夢(mèng)想漸漸成為了現(xiàn)實(shí)。正在大家準(zhǔn)備大展拳腳之即，年僅23歲的主唱，樂隊(duì)核心人物BOBBY FULLER的意外死亡，又讓樂隊(duì)跌入了低谷，樂隊(duì)的未來將會(huì)怎樣，讓我們一同拭目以待。
 
by Richie Unterberger
With his blatant reverence for Buddy Holly, fellow Texan Bobby Fuller was a bit of an anomaly in the mid-60s. With his Stratocaster guitar and brash, full sound, at his best Fuller sounded like Holly might have had he survived into the 60s. Cracking the Top 30 in 1966 with a cover of Hollys Loves Made a Fool of You and the Top Ten with I Fought the Law (written by one-time Cricket Sonny Curtis), Fuller had just become a star when he died in mysterious circumstances in a parked car in Hollywood (the police thought it was a suicide, just about everyone who knew him disagreed). Fullers relatively short period of national stardom actually crowned a good half-dozen years of recording, during which he released many outstanding tracks. After a few local singles in his hometown of El Paso in the early 60s, he moved to California with his combo in 1964, and briefly had aspirations of playing surf music before hooking up with producer Bob Keene. In the short time he recorded for Mustang in 1965 and 1966, he waxed quite a few tracks (most self-penned) in addition to his hits, including Let Her Dance, Another Sad and Lonely Night, My True Love, Never to Be Forgotten, Fool of Love, and The Magic Touch. Rocking, tuneful, and infectiously joyous, they showed Fuller to be a worthy inheritor of early rock & roll and rockabilly traditions without sounding self-consciously revivalist. While its hard to imagine Fuller maintaining his success in the era of psychedelia, he no doubt would have gone on to produce interesting work. A talented and prolific songwriter and a studio whiz who drew from Eddie Cochran and (though only slightly) the full guitar sound of the British Invasion as well as Buddy Holly, he recorded a great deal of unreleased studio and live material that was issued in the 80s, when the depth of his loss began to be appreciated.