Marlena Shaw

Marlena Shaw出生于紐約的 Valhalla，受她音樂(lè)發(fā)燒友舅舅的影響從福音歌曲開(kāi)始學(xué)習(xí)唱歌的，10歲就跟她的舅舅在黑人居住區(qū)的劇場(chǎng)登臺(tái)演出。她是多產(chǎn)的靈歌、爵士樂(lè)歌手，錄制唱片已經(jīng)超過(guò)了35年！她的歌聲舒適、溫暖，是那種很慵懶的風(fēng)格。聲域?qū)拸V，音色恬美。不過(guò)，不要以為她是楊玉瑩哦，在電影《巴黎最后的探戈》中她的配唱冷漠而略帶嘲諷，令人印象極其深刻——永遠(yuǎn)難忘。曾經(jīng)失戀過(guò)的朋友不要聽(tīng)。
 
by Richard Skelly
Marlena Shaw is among the most versatile and charismatic jazz vocalists on the scene today. Her performances are marked by an artful blend of pop standards and straight-ahead jazz tunes. Her extroverted stage presence gives her an edge over other vocalists, and clearly, singing live before an audience is where she feels most comfortable.
 
After her uncle Jimmy Burgess introduced her to the recordings of Dizzy Gillespie and Miles Davis, she caught the jazz bug and purchased records by Al Hibbler, a vocalist who had a big influence on her singing style. When she was ten she performed at Harlems Apollo Theater, and despite the enthusiastic reception she received in front of one of the worlds toughest audiences, her mother refused to let her go on the road with her uncle, a trumpet player. Shaw attended the State Teachers College in Potsdam, NY, but later dropped out. For some time in 1963 she worked around New England with a trio led by Howard McGhee. By the mid-60s she was performing regularly for audiences in the Catskills, Playboy clubs, and other New York area clubs. In 1966, she recorded Mercy, Mercy, Mercy for Cadet Records, and the single sold very well for an unknown singer. The singles success, a rare vocal version of the tune, prompted executives at Cadet to encourage her to record a whole album for the label in 1967. The diversity of styles, including blues, jazz, and pop standards, is reflected in the albums title, Out of Different Bags. Through her accountant, she was brought to the attention of bandleader Count Basie, and she ended up singing with the Basie band for four years.
 
In 1972, after leaving the Basie Orchestra, Shaw was the first female vocalist signed to Blue Note Records, and she toured for a while with the late Sammy Davis Jr. Shaw recorded five albums and several singles for Blue Note, and critics likened her singing style to Dinah Washington and Sarah Vaughan. At her club shows, Shaw dazzled audiences with her intoxicating blend of straight-ahead jazz, soul, pop, and classic R&B, but her recordings will also satisfy fans of traditional jazz who have no prejudices about blues and R&B.