Marv Johnson

by Bruce EderBest remembered for a handful of hits including the Top Ten smashes You Got What It Takes and I Love The Way You Love, Marv Johnson was also a seminal figure in the early history of Motown Records. Marvin Earl Johnson was born in Detroit, Michigan in 1938, and was raised in a musical environment that mixed the gospel music of the Baptist church with the jump-jazz of Louis Jordan and his Tympany Five. By the time he was in high school he had joined a local singing group, playing carnivals and fairs. In 1958, he cut his first sides, My Baby-O and Once Upon a Time; the single failed to sell, but the recording session resulted in a meeting with songwriter and would-be record producer Berry Gordy.After Johnson played his original song Come to Me for Gordy and his future wife Raynoma, the couple chose Johnson as the first artist for their fledgling record label, Tamla. Because the new label didnt have distribution outside of Detroit, Come to Me (credited to Gordy and Johnson) was released nationally by United Artists, and rose to No. 6 on the R&B charts and No. 30 on the pop charts. Gordy soon lost direct control of his first discovery after United Artists signed Johnson directly, but continued as the singers manager. Johnson also toured with Motown acts such as the Miracles in addition to appearing on Alan Freeds rock n roll revues and media venues such as American Bandstand, and joined early package tours and stage revues where he shared bills with his idols Sam Cooke and Jackie Wilson. Johnsons second single fared poorly, but his third, 1959s Youve Got What It Takes, exploded onto the charts, becoming a Top Ten hit and earning a gold record. The 1960 follow-up I Love the Way You Love also landed in the Top Ten; among his subsequent singles, Youve Got To Move Two Mountains was a more pop flavored effort that reached the Top 20, while Happy Days got to number seven on the R&B charts late in 1960. Merry-Go-Round, issued in early 1961, was Johnsons last chart success. In 1965, with the British invasion in full swing, Johnsons contract was dropped by United Artists; he finally came home to Motown, joining the Gordy label, but never enjoyed another American hit, although he earned a British gold record with Ill Pick a Rose for My Rose for Tamla in 1968. He later worked in a front-office job for Motown, and also wrote songs for Tyrone Davis and Johnny Taylor. Johnsons recording career ended in the late 1960s, but he never stopped performing, and remained active on stage into the 1990s.