簡(jiǎn)介: by David VinopalIn the 70s, Roy Clark symbolized country music in the U.S. and abroad. Between guest-hosting for Johnny Carson on The Tonig 更多>
by David VinopalIn the 70s, Roy Clark symbolized country music in the U.S. and abroad. Between guest-hosting for Johnny Carson on The Tonight Show and performing to packed houses in the Soviet Union on a tour that sold out all 18 concerts, he used his musical talent and his entertaining personality to bring country music into homes across the world. As one of the hosts of TVs Hee Haw (Buck Owens was the other) for more than 20 years, Clark picked and sang and offered country corn to 30 million people weekly. He is first and foremost an entertainer, drawing crowds at venues as different as Las Vegas, Atlantic City, and the Opry. His middle-of-the-road approach has filled a national void, with Clark offering country that was harder-edged than Kenny Rogers but softer and more accessible than Waylon Jennings. Among his numerous vocal hits are Yesterday, When I Was Young and Thank God and Greyhound. Instrumentally he has won awards, for both guitar and banjo. Clark has also co-starred on the silver screen with Mel Tillis, in the comedy Uphill All the Way.The son of two amateur musicians, Roy Clark began playing banjo, guitar, and mandolin at an early age. By the time he was 14, he was playing guitar behind his father at local dances. Within a few years, he had won two National Banjo Championships, with his second win earning him an appearance at the Grand Ole Opry. Despite his success as a musician, Clark decided to pursue an athletic career, rejecting baseball for boxing. At the age of 17, he won 15 fights in a row before deciding that he would rather be a musician than a fighter.Clark found work at local clubs, radio stations, and television shows. By 1955, he was a regular on Jimmy Deans D.C.-based television show, Country Style. Once Dean left Washington for New York, Clark took over the show, and over the next few years he earned a reputation as an excellent musician and entertainer. In 1960, he decided to leave the East Coast to pursue his fame and fortune out West. That year, he became the leader of Wanda Jacksons band, playing on her hit singles like Lets Have a Party, as well as touring with the singer and playing concerts with her in Las Vegas. Once Jackson decided to break up her band, Clark continued to play regularly at the Frontier Hotel in Vegas and through his new manager, Jacksons ex-manager Jim Halsey, he landed spots on The Tonight Show and the sitcom The Beverly Hillbillies, where he played both Cousin Roy and Big Mama Halsey.In 1963, Clark signed to Capitol Records, and his first single for the label, Tips of My Fingers, became a Top Ten hit. Over the next two years, he had a handful of minor hits for Capitol before he switched labels, signing with Dot in 1968. At Dot, his career took off again, through covers of pop songs like Charles Aznavours Yesterday, When I Was Young (number nine, 1969). However, what really turned Clarks career around was not records, but rather a television show called Hee Haw. Conceived as a country version of Laugh-In, Hee Haw began its run in 1969 on CBS. Roy Clark and Bakersfield country pioneer Buck Owens were picked as co-hosts. Over the next two years, it was one of the most popular shows on television. In 1971, CBS dropped the show because its corny country humor didnt fit the networks new, urban image, but Hee Haw quickly moved into syndication, where it continued to thrive throughout the decade.While Hee Haw was at the height of its popularity, Clark had a string of country hits that ranged from Top Ten singles like I Never Picked Cotton (1970), Thank God and Greyhound (1970), The Lawrence Welk — Hee Haw Counter-Revolution Polka (1972), Come Live With Me (1973), Somewhere Between Love and Tomorrow (1973), Honeymoon Feelin (1974), and If I Had It to Do All Over Again (1976) to a multitude of minor hits. Though he didnt consistently top the country charts, Clark became one of the most recognizable faces in country music, appearing on television commercials, Hee Haw, and touring not only the United States but a number of other countries, including a groundbreaking sojourn to the Soviet Union in 1976. Frequently, he played concerts and recorded albums with a wide variety of musicians from other genres, including the Boston Pops Orchestra and Clarence Gatemouth Brown.In 1979, the momentum of his career began to slow down, as he left his longtime label ABC/Dot for MCA. Over the next two years, he had a number of minor hits before leaving the label. He recorded one inspirational album for Songbird in 1981 before signing to Churchill in 1982. Hee Haws audience was beginning to decline in the early 80s, but Clark diversified his interests by investing in property, minor-league baseball teams, cattle, publishing, and advertising. None of Clarks recordings for Churchill were big hits, and his brief stays at Silver Dollar in 1986 and Hallmark in 1989 also resulted in no hits. Nevertheless, Clark had become a country icon by the mid-80s, so his lack of sales didnt matter — he continued to sell out concerts and win awards; he even made the comedy Western Uphill All the Way in 1986 with Mel Tillis. In 1987, he was belatedly made a member of the Grand Ole Opry. During the 90s, Clark concentrated on performing at his theater in Branson, MO, sporadically releasing re-recordings of his big hits on a variety of small labels, though 2000s Live at Billy Bobs Texas marked his first live release in nearly a decade. Christmas Memories followed that same year. 2005 saw the release of two albums, Hymns from the Old Country Church on Wonder Disc and Bluegrass: Its About Time, Its About Me, a collection of his bluegrass-oriented tracks, on Varese.
發(fā)行時(shí)間:2023-12-23
發(fā)行時(shí)間:2023-12-16
發(fā)行時(shí)間:2005-08-09
發(fā)行時(shí)間:1996-03-15
發(fā)行時(shí)間:1993-10-15