Little Brother Montgomery

小簡(jiǎn)介
生於1906年的Little Brother Montgomery是Blues與Jazz的早期活躍份子。其混合了早期奧爾良爵士與Boogie Woogie的風(fēng)格也可謂獨(dú)樹一幟。Little Brother Montgomery的鋼琴更多的使用散拍技巧。
A notable influence to the likes of Sunnyland Slim and Otis Spann, pianist Little Brother Montgomerys lengthy career spanned both the earliest years of blues history and the electrified Chicago scene of the 1950s.
By age 11, Montgomery had given up on attending school to instead play in Louisiana juke joints. He came to Chicago as early as 1926 and made his first 78s in 1930 for Paramount (the booty that day in Grafton, WI, included two of Montgomerys enduring signature items, Vicksburg Blues and No Special Rider). Bluebird recorded Montgomery more prolifically in 1935-36 in New Orleans.
In 1942, Little Brother Montgomery settled down to a life of steady club gigs in Chicago, his repertoire alternating between blues and traditional jazz (he played Carnegie Hall with Kid Orys Dixieland band in 1949). Otis Rush benefitted from his sensitive accompaniment on several of his 1957-58 Cobra dates, while Buddy Guy recruited him for similar duties when he nailed Montgomerys First Time I Met the Blues in a supercharged revival for Chess in 1960. That same year, Montgomery cut a fine album for Bluesville with guitarist Lafayette Thing Thomas that remains one of his most satisfying sets.
With his second wife, Janet Floberg, Montgomery formed his own little record company, FM, in 1969. The first 45 on the logo, fittingly enough, was a reprise of Vicksburg Blues, with a vocal by Chicago chanteuse Jeanne Carroll (her daughter Karen is following in her footsteps around the Windy City).