The Refreshments

by Andrew LeaheyWhile the Gin Blossoms were Tempe, AZs most recognizable band in the post-grunge era, the Refreshments were perhaps the towns hometown favorite. Their brand of alternative pop/rock owed much to the bands Southwestern environs, whose influence increased with their sophomore effort The Bottle & Fresh Horses (and later came to fruition with the spin-off Americana outfit Roger Clyne & the Peacemakers). Oddly enough, the very elements that endeared the Refreshments to their Arizona audiences — the quartets localized sound, mariachi-styled detours, and Tempe-centric lyrics — prevented their music from finding true national appeal apart from the modern rock hit Banditos. The fledgling Mercury Records sacked the group after their second album failed to provide a follow-up hit to Banditos, and the Refreshments called it quits the following year (Mercury would also fold in 1998, having been absorbed into the Island Def Jam Music Group). Nevertheless, the Refreshments legacy lives on in the Southwest, where the aforementioned Roger Clyne & the Peacemakers have since emerged as one of the areas biggest draws. The Refreshments roots date back to 1993, when Arizona State grads Roger Clyne (vocals, guitar), Brian David Blush (guitar), and Arthur Buddy Edwards (bass) first convened for a night of drinking and card-playing. A musical partnership formed and was soon completed by P.H. Naffah (drummer), whose association with Clyne would later extend into the Peacemakers. The band issued a self-released full-length debut, Wheelie, in 1994, with an EP titled Lo, Our Much Praised Yet Not Altogether Satisfactory Lady following shortly thereafter. Both releases proved to be incredibly popular locally, with the original 2,000 pressings of Wheelie selling out quickly. Mercury Records took note and signed the band in 1995, later issuing their major-label debut, Fizzy Fuzzy Big & Buzzy, in 1996. Propelled by the hit single Banditos, whose irreverent lyrics spun the tale of a Mexican crime caper, the album enjoyed moderate success. The Refreshments good luck continued into 1997, when an instrumental composition (which the band had previously performed during soundchecks) was chosen as the iconic TV theme song for King of the Hill. The bands mature follow-up, The Bottle & Fresh Horses, was also released in 1997, but it failed to gain much traction outside of local Arizona radio. The Refreshments subsequently lost their contract with Mercury, and the group disbanded in 1998. Buddy Edwards refashioned himself as a fiction writer, and Blush found work as a guitarist for several local bands. Clyne and Naffah would continue to explore the intersection of traditional Southwestern music and rock & roll with Roger Clyne & the Peacemakers, an Arizona supergroup whose lineup has featured members of the Gin Blossoms, Dead Hot Workshop, and Gloritone.