Peter Bellamy

by Steve WinickBellamy was one of the English folk revivals greatest voices. He was born in Norfolk in 1944. In the early days of 1965 he moved to London, where he met up with Royston Wood and Heather Wood, and the three got a regular gig at a club whose name they would eventually adopt — The Young Tradition. In flamboyant costumes, with witty presentation, and with the startling power of Bellamys voice backed by his companions, they entertained a lot of audiences, recorded a pair of albums, gained a reputation for excellence, and were still unable to make a living as performers. So, in 1969, they broke up. As Bellamy would later point out, they became important and influential, even legendary, after they had ceased to exist.In 1970 the idea first struck Bellamy to set the poems of Kipling to music. This fascination with Kipling continued until Bellamys death, resulting in no fewer than five albums of Kipling songs. Also in the 70s, Bellamy composed The Transports, a ballad opera in the mold of Ewan MacColls work, and recruited such people as Martin Carthy, Nic Jones, A. L. Lloyd, and Cyril Tawney to record it. It was released as an album in 1977 and also had several stage runs in England. During the 70s and 80s, Bellamy was trying to find an audience wider than the traditional folk crowd, so he cut back on the traditional songs in his shows, turning them into multimedia historical presentations. But traditional singing was in Bellamys blood, and the beginning of the 90s found him back to performing mostly a traditional repertoire once again, with the exuberant enthusiasm he has always been known for. Bellamy felt there was a lack of appreciation for the music to which he had devoted his life. More than once he has commented on how countless performers have ditched traditional music for other forms of folk music. Some, he felt, did it for money, something he no doubt understood but regretted. More often, though, he expressed regret that interest in traditional song was simply on the wane, not only with audiences, but with performers as well. He always acknowledged that his own unwillingness or perhaps his inability to compromise had led to the demise of The Young Tradition. Perhaps, some 22 years later, it helped lead to his own; in September 1991, Peter Bellamy took his own life. All Peter Bellamy recordings are recommended.